"The Nightmare Before Christmas" ART
SOUNDS & CREATIVITY
"Filled with imagination that carries us into a new world". The Nightmare Before Christmas is a 1993 American stop-motion animated musical dark fantasy film directed by Henry Selick, and produced and conceived by Tim Burton. It tells the story of Jack Skellington, a resident from "Halloween Town" who stumbles through a portal to "Christmas Town" and decides to celebrate the holiday, with some dastardly and comical consequences. "The Nightmare Before Christmas is a stunningly original and visually delightful work of stop-motion animation."
"Originality and daring to the Halloween genre. This dazzling mix of fun and fright also explodes the notion that animation is kid stuff. … It's 74 minutes of timeless movie magic" Peter Travers of Rolling Stone.
The Nightmare Before Christmas originated in a poem written by Tim Burton in 1982, while he was working as an animator at Walt Disney Feature Animation. With the success of Vincent in the same year, Walt Disney Studios began to consider developing The Nightmare Before Christmas as either a short film or 30-minute television special. Over the years, Burton's thoughts regularly returned to the project, and in 1990, he made a development deal with Disney. Production started in July 1991 in San Francisco; Disney released the film through its Touchstone Pictures banner because the studio believed the film would be "too dark and scary for kids".
"The Nightmare Before Christmas is a stunningly original and visually delightful work of stop-motion animation."
The film was met with both critical and financial success, grossing over $76 million during its initial run. It was nominated for the Academy Award for Best Visual Effects, a first for an animated film. The film has since been reissued by Walt Disney Pictures, and was re-released annually in Disney Digital 3-D from 2006 until 2009, making it the first stop-motion animated feature to be entirely converted to 3D.
Roger Ebert gave a highly positive review for Nightmare. Ebert believed the film's visual effects were as revolutionary as Star Wars, taking into account that Nightmare was "filled with imagination that carries us into a new world".
James Berardinelli stated "The Nightmare Before Christmas has something to offer just about everyone. For the kids, it's a fantasy celebrating two holidays. For the adults, it's an opportunity to experience some light entertainment while marveling at how adept Hollywood has become at these techniques. There are songs, laughs, and a little romance. In short, The Nightmare Before Christmas does what it intends to: entertain."[49] Desson Thomson of The Washington Post enjoyed stylistic features in common with Oscar Wilde, German Expressionism, the Brothers Grimm and The Cabinet of Dr. Caligari.
SOURCE: "The Nightmare Before Christmas"
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