#ThinkOUTSIDEtheBOX Open Collaboration
Be Curious, INspire and Disrupt! #EcowR

"LEGO Oscar 2015" the best of all prizes

Oscar trophy made of Lego bricks

The Artist behind the Lego Oscar Statue is @NathanSawaya
This Creative Idea is great! 




"The Most Innovative Companies of 2015" by Fast Company



by Fast Company


In this report on the World's Most Innovative Companies, there are plenty of examples to make you a believer. The Fast Company staff has spent many months gathering and analyzing data. To generate this list of the 50 Most Innovative Companies—and the accompanying top 10 companies in various sectors. Risk of failure and collapse are always high, but the culture of innovation across the globe is more robust than ever, Fast Company thinks that's worth celebrating. 

"100 years of Changing Beauty in 1 minute"

The Changing Beauty of  woman by cut.com

 

Time lapse of a model getting her hair and makeup done to match every decade from 1910 to 2010.  100 Years of Changing Beauty, Makeup, and Hairstyles in 1 Minute. Produced, Directed, and Edited by cut.com.

 

...See More

 

The Cult of Done Manifesto

Creativity, Design & Disrupt 
The Cult of Done Manifesto

1.There are three states of being. Not knowing, action and completion. 
2.Accept that everything is a draft. It helps to get it done.
3.There is no editing stage.
4.Pretending you know what you're doing is almost the same as knowing what you are doing, so just accept that you know what you're doing even if you don't and do it.
5.Banish procrastination. If you wait more than a week to get an idea done, abandon it.
6.The point of being done is not to finish but to get other things done.
7.Once you're done you can throw it away.
8.Laugh at perfection. It's boring and keeps you from being done.
9.People without dirty hands are wrong. Doing something makes you right.
10.Failure counts as done. So do mistakes.
11.Destruction is a variant of done.
12.If you have an idea and publish it on the internet, that counts as a ghost of done.
13.Done is the engine of more. 

 

image 1: "Done Manifesto" by James Provost (CC BY NC ND)

image 2: "Cult of Done" by Joshua Rothhaas (CC BY)


Source: http://www.brepettis.com/blog/2009/3/3/the-cult-of-done-manifesto.html

'Power Rangers the Dark Short Film"

POWER/RANGERS By Joseph Kahn via AdiShankar

 

Adi Shankar Presents a Mighty Morphin' Power Rangers Bootleg Film By Joseph Kahn; James Van Der Beek and Katee Sackhoff star. This Short Film is unaffiliated with any official Power Rangers franchise. 

...See More INformation

 

What Constructive Disruption Can Do For Business

 by Grant Garrison via magazine.good.is

Innovation” feels both essential and meaningless right now. We all recognize the imperative to pursue it but how? Must we hire the innovation experts? At the ninth annual Business Innovation Factory, I had the privilege to join a remarkable set of storytellers in sharing our lives and work, surfacing in particular a few common traits for those of us in pursuit of innovation. 

 

 Constructive disruption - the act of productively challenging inherited wisdom or structure - supports innovation by opening up the space to replace what we have with what we might imagine. Myself and two fellow storytellers approached this quality from three very different vantage points.

 

See Full Article Via magazine.good.is

 

 

"Labels are for clothes & food, not people" Quotes

" My Architectural Philosophy? Bring the community into the process"

 Bring the community into the process


“If there is any power in design, that’s the power of synthesis.” Alejandro Aravena at TED Talks

When asked to build housing for 100 families in Chile ten years ago, Alejandro Aravena looked to an unusual inspiration: the wisdom of favelas and slums. Rather than building a large building with small units, he built flexible half-homes that each family could expand on. It was a complex problem, but with a simple solution — one that he arrived at by working with the families themselves. With a chalkboard and beautiful images of his designs, Aravena walks us through three projects where clever rethinking led to beautiful design with great benefit. 

Alejandro Aravena works inside paradoxes, seeing space and flexibility in public housing, clarity in economic scarcity, and the keys to rebuilding in the causes of natural disasters.

This #FridayThe13th 45 Years Ago Black Sabbath Invented Metal

Rock N' Roll

This #FridayThe13th 45 Years Ago
 Black Sabbath Invented Metal

 What's your favourite song in the album?

Black Sabbath is the eponymous debut studio album by English rock band Black Sabbath. Released on Friday the 13th February 1970 in the United Kingdom and on 1 June 1970 in the United States, the album reached number eight on the UK Albums Chart and number 23 on the Billboard charts, where it remained for over a year. The album was a commercial success but was widely panned by some critics. Lester Bangs dismissed it in a Rolling Stone review as "discordant jams with bass and guitar reeling like velocitised speedfreaks all over each other's musical perimeters, yet never quite finding synch". It sold in substantial numbers despite being panned, giving the band their first mainstream exposure.

Although it was poorly received by most contemporary music critics, Black Sabbath has since been credited with significantly influencing the development of heavy metal music. Black Sabbath are often cited as pioneers of heavy metal music. The band helped define the genre with releases such as Black Sabbath (1970), Paranoid (1970) and Master of Reality (1971).
 Black Sabbath are an English rock band, formed in Birmingham in 1968, by guitarist and main songwriter Tony Iommi, bassist and main lyricist Geezer Butler, singer Ozzy Osbourne, and drummer Bill Ward. The band have since experienced multiple line-up changes, with guitarist Iommi being the only constant presence in the band through the years. Originally formed in 1968 as a blues rock band, the group soon adopted the Black Sabbath moniker and began incorporating occult themes with horror-inspired lyrics and tuned-down guitars. Despite an association with these two themes, Black Sabbath also composed songs dealing with social instability, political corruption, the dangers of drug abuse and apocalyptic prophecies of the horrors of war.
Black Sabbath are often cited as pioneers of heavy metal music. The band helped define the genre with releases such as Black Sabbath (1970), Paranoid (1970) and Master of Reality (1971). They were ranked by MTV as the "Greatest Metal Band" of all time, and placed second in VH1's "100 Greatest Artists of Hard Rock" list. Rolling Stone magazine ranked them number 85 in their "100 Greatest Artists of All Time". They have sold over 70 million records worldwide. Black Sabbath were inducted into the UK Music Hall of Fame in 2005 and the Rock and Roll Hall of Fame in 2006. They have also won two Grammy Awards for Best Metal Performance.
 Black Sabbath 
(The Album)

Genre

According to AllMusic's Steve Huey, Black Sabbath marks "the birth of heavy metal as we now know it". In his opinion, the album "transcends its clear roots in blues-rock and psychedelia to become something more". He ascribes its "sonic ugliness" as a reflection of "the bleak industrial nightmare" of the group's hometown, Birmingham, England. Huey notes the first side's allusions to themes characteristic of heavy metal, including evil, paganism, and the occult, "as filtered through horror films and the writings of J.R.R. Tolkien, H.P. Lovecraft, and Dennis Wheatley." He characterises side two as "given over to loose blues-rock jamming learned through" the English rock band Cream.

In the opinion of the author and former Metal Maniacs magazine editor Jeff Wagner, Black Sabbath is the "generally accepted starting point" when heavy metal "became distinct from rock and roll". In his opinion, the album transfigured blues rock into "something uglier, found deeper gravity via mournful singing and a sinister rhythmic pulse". According to Rolling Stone magazine, "the album that arguably invented heavy metal was built on thunderous blues-rock".[9] Sputnikmusic's Mike Stagno notes that Black Sabbath's combined elements of rock, jazz and blues, with heavy distortion created one of the most influential albums in the history of heavy metal. In retrospect, Black Sabbath has been lauded as perhaps the first true heavy metal album. It has also been credited as the first record in the stoner rock and goth genres.

Taking a broader perspective, Pete Prown of Vintage Guitar Magazine says, "The debut Black Sabbath album of 1970 was a watershed moment in heavy rock, but it was part of a larger trend of artists, producers, and engineers already moving towards the sound we now call hard rock and heavy metal. The previous year had already seen authentic, metal-edged music from Led Zeppelin ("Whole Lotta Love," "Heartbreaker") and the Jeff Beck Group ("Plynth"), as well as the new trio Mountain, which played a breakthrough performance at the Woodstock festival in August, 1969. Sabbath's debut LP in the UK (Feb. 1970) was matched a few weeks later by Mountain's Climbing album and its proto-metal hit, 'Mississippi Queen.' So while Black Sabbath was a crucial band in heavy metal's arrival, it's important to remember they were not alone. The year 1970 further saw pivotal early metal releases from Deep Purple and Uriah Heep, as well as Sabbath's own Paranoid album that fall. Even the track 'Immigrant Song' from Led Zeppelin III can be reasonably categorized as metal."




Music and lyrics

Black Sabbath '​s music and lyrics were quite dark for the time. The opening track is based almost entirely on a tritone interval played at slow tempo on the electric guitar. In the 2010 Classic Albums documentary on the making of the band's second album Paranoid, Geezer Butler claims the riff was inspired by "Mars, the Bringer of War," a movement in Gustav Holst's The Planets. Iommi reinterpreted the riff slightly and redefined the band's direction. Ward told Classic Albums, "When Oz sang 'What is this that stands before me?' it became completely different...this was a different lyric now, this was a different feel. I was playing drums to the words." The song's lyrics concern a "figure in black" which bassist Geezer Butler claims to have seen after waking up from a nightmare. In the liner notes to the band's 1998 live album Reunion the bassist remembers:
I'd been raised a Catholic so I totally believed in the Devil. There was a weekly magazine called Man, Myth and Magic that I started reading which was all about Satan and stuff. That and books by Aleister Crowley and Denis Wheatley, especially The Devil Rides Out...I'd moved into this flat I'd painted black with inverted crosses everywhere. Ozzy gave me this 16th Century book about magic that he'd stolen from somewhere. I put it in the airing cupboard because I wasn't sure about it. Later that night I woke up and saw this black shadow at the end of the bed. It was a horrible presence that frightened the life out of me! I ran to the airing cupboard to throw the book out, but the book had disappeared. After that I gave up all that stuff. It scared me shitless.
Similarly, the lyrics of the song "N.I.B." are written from the point of view of Lucifer, who falls in love with a human woman and "becomes a better person" according to lyricist Butler. Contrary to popular belief, the name of that song is not an abbreviation for "Nativity in Black"; according to Osbourne's autobiography it is merely a reference to drummer Bill Ward's pointed goatee at the time, which was shaped as a pen-nib. The lyrics of two other songs on the album were written about stories with mythological themes. "Behind the Wall of Sleep" is a reference to the H. P. Lovecraft short story Beyond the Wall of Sleep, while "The Wizard" was inspired by the character of Gandalf from The Hobbit and The Lord of the Rings. The latter includes harmonica performed by Osbourne. The band also recorded a cover of "Evil Woman", a song that had been an American hit for the band Crow. In his autobiography, Iommi admits the band reluctantly agreed to do the song at the behest of their manager Jim Simpson, who insisted they record something commercial.

Artwork


The Black Sabbath album cover features a depiction of Mapledurham Watermill, situated on the River Thames in Oxfordshire, England. Standing in front of the watermill is a figure dressed in black. The name of the woman pictured on the front cover is forgotten, though guitarist Iommi says that she once showed up backstage at a Black Sabbath show and introduced herself.[2] According to feelnumb.com, which featured an article on the album cover, 'Not much is known about the eerie woman used in the photo other then she was a model/actress hired for the day and her name was Louise.'

The inner gatefold sleeve of the original release was designed by Keith McMillan (credited as Marcus Keef) and featured an inverted cross with a poem written inside of it.[20] Allegedly, the band were upset when they discovered this,[3] as it fuelled allegations that they were Satanists or Occultists;[2] however, in Osbourne's memoir, he says that to the best of his knowledge nobody was upset with the inclusion.[21] "Suddenly we had all these crazy people turning up at shows," Iommi remembered in Mojo in 2013. "I think Alex Sanders (high priest of the Wiccan religion) turned up at a gig once. It was all quite strange, really." The album was not packaged with a gatefold cover in the US. In the liner notes to Reunion, Phil Alexander states, "Unbeknownst to the band, Black Sabbath was launched in the US with a party with the head of the Church of Satan, Anton Lavey, presiding over the proceedings...All of a sudden Sabbath were Satan's Right Hand Men."


Legacy

In 1989, Kerrang! ranked Black Sabbath number 31 on their "100 Greatest Heavy Metal Albums of All Time". In 1994, it was ranked number 12 in Colin Larkin's Top 50 Heavy Metal Albums. Larkin praised the album's "crushing atmosphere of doom," which he described as "intense and relentless." In 2000, Q magazine included Black Sabbath in their list of the "Best Metal Albums of All Time", stating: "[This album] was to prove so influential it remains a template for metal bands three decades on." In 2005, it was ranked number 238 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time; it was ranked number 243 in a revised edition of the list in 2012. Rolling Stone ranked Black Sabbath number 44 in their list of the 100 Best Debut Albums of All Time, describing the title track as the song that "would define the sound of a thousand bands."

Track listing

All songs credited to Tony Iommi, Geezer Butler, Bill Ward and Ozzy Osbourne, except where noted.

European edition

Side one
No. Title Length
1. "Black Sabbath"   6:20
2. "The Wizard"   4:24
3. "Behind the Wall of Sleep"   3:37
4. "N.I.B."   6:08
Side two
No. Title Writer(s) Length
5. "Evil Woman" (Crow cover) Larry Weigand, Dick Weigand, David Wagner 3:25
6. "Sleeping Village"  
3:46
7. "Warning" (The Aynsley Dunbar Retaliation cover) Aynsley Dunbar, Alex Dmochowski, Victor Hickling, John Moorshead 10:28


Personnel

Black Sabbath

  • Ozzy Osbourne – vocals, harmonica on "The Wizard"
  • Tony Iommi – guitar
  • Geezer Butler – bass
  • Bill Ward – drums

Production



File:Black Sabbath debut album.jpg This image is of a cover of an audio recording, and the copyright for it is most likely owned by either the publisher of the work or the artist(s) which produced the recording or cover artwork in question. It is believed that the use of low-resolution images of such covers
qualifies as fair use under United States copyright law. Any other uses of this image, on Wikipedia or elsewhere, may be copyright infringement. See Wikipedia:Non-free content for more information.


Lullaby "Live" cover at Paris

Rock N' Roll





Cover by "Grand Square Dance" from "Exo7, fighting Rock (1983/2010)" Concert in tribute to all the artists who have performed on stage in the Exo7; on the occasion of the closing of this beautiful room. "Lullaby" is a 1989 single by The Cure from their album Disintegration. 

" Well Writing Your Way to Happiness"


creativity & Life

" Well Writing Your Way to Happiness"

The scientific research on the benefits of so-called expressive writing is surprisingly vast. Studies have shown that writing about oneself and personal experiences can improve mood disorders, help reduce symptoms among cancer patients, improve a person’s health after a heart attack, reduce doctor visits and even boost memory.

Now researchers are studying whether the power of writing — and then rewriting — your personal story can lead to behavioral changes and improve happiness.

 Full Article   via blogs.nytimes.com

 

Architecture for the people by the people





Architecture for the people by the people

by at TED




Designer Alastair Parvin presents a simple but provocative idea: what if, instead of architects creating buildings for those who can afford to commission them, regular citizens could design and build their own houses? The concept is at the heart of WikiHouse, an open source construction kit that means just about anyone can build a house, anywhere. 

"Creativity from Southern World"


  Austral wires By ©msanhuezacelsi 
 
 
http://www.msanhuezacelsi.portfoliobox.me/  Valdivia "Green Sky" By ©msanhuezacelsi 
 


Social Innovation for Social Good


Social & innovation

"Social Innovation for Social Good"

Gopi Kallayil via TEDxBerkeley
In this TEDxTalk Gopi Kallayil takes us on a journey of worldwide examples in which social media makes a difference in the lives of people. The power of social media as a driver for social innovation.




 “When people have access to knowledge, the find solutions for their problems”.


"Street Art" Open Creativity & City


 Street Art: Open Creativity & City
Santiago de Chile.


"The 8 Smartest Cities In Latin America"

 

 Open Sustainability & Technology

"The 8 Smartest Cities In Latin America" 

By Boyd Cohen  via FastCoexist.com

"Another view of Street"(Santiago de Chile) Photography By @msanhuezacelsi Copyright ©2015 All rights reserved.

Which cities in the region are leading the way toward becoming urban centers of innovation and using technology and civic policy to create better lives for their citizens? As I've written before, all smart cities are on the journey towards being smarter, but none of them have arrived. This statement could not be more true when discussing smart cities in Latin America. I must admit I have a soft spot for the region. For the past two years, I have lived in two of the top 10 cities, and visited several others frequently. But Latin America is still a developing region and this list is primarily made up of cities in developing countries, unlike the rankings for North AmericaAsia/Pacific, and Europe. Therefore, most of these cities have major problems with traffic, contamination, government inefficiency, and much less transparency than you’d find in leading cities in more developed regions. Latin American cities also have a bad track record in proper land use and urban planning.

Having said that, all of the cities on this list are making strides towards becoming more efficient, cleaner, more innovative, and yes, smarter.